Smooth Jazz Hits For Lovers Rar Download
Ray Obiedo is an American guitarist. Obiedo grew up in, and began playing guitar at age 17. Initially he played both and, appearing on record with,,. He was the leader of group and the rock band. In 1989 he signed with, with whom he would release five albums in eight years. Discography • Perfect Crime (, 1989) • Iguana (Windham Hill, 1991) U.S.
Aug 28, 2008 - The Just a Closer Walk With Kirk Whalum.
Top Contemporary Jazz Albums #10 • Sticks & Stones (Windham Hill, 1993) U.S. Contemporary Jazz #7 • Zulaya (Windham Hill, 1993) U.S. Contemporary Jazz #22M • Sweet Summer Days (Windham Hill, 1997) • The Modern World (, 1999) (Extracted from Wikipedia.org) Link coming soon. Maryland guitarist Ken Navarro and his independent label, Positive Music, have shouldered their way in among the Larry Carltons and GRPs of the world to become major players in the pop-instrumental field. Not only have Navarro's own albums consistently landed in the top 10 of the 'adult alternative' and 'new adult contemporary' charts, but so have those of his labelmates Gregg Karukas and Bobby Militello. Navarro's sixth solo album, 'Brighter Days,' is a further refinement of his label's successful formula: bright, easily digestible pop melodies played cleanly and precisely over steady, comfortable rhythms. This recording features the presence of Positive Music's saxophonist Brandon Fields, who adds a slightly different spin to Navarro's melodies in easy-going, Najee-like lines.
Navarro himself plays nylon-string guitar on 6 of the 10 cuts, lending a delicate, Earl Klugh-like feel to the proceedings. --Geoffrey Himes Tracks and link in comments. Jeff Golub and his crew have got a relaxed and polished style- in the light jazz vein of say Bob James or the 'Crusaders' They move from funky tunes, thru soulful ballads and on to rousing infectious uptempo grooves. Pattern 14 enfield serial numbers. This is really enjoyable instrumental work, familar but never hackneyed.
The musicianship is exemplary, tight and inspired throughout. I'd put this disc in my top ten of the past three years- highly reccomended. Funky Is As Funky Does 2. Naked City 3. Nitpickin' 4. The Conversation 5. Baby I'm Yours 6.
Mama Didn't Raise No Fool 7. Wildflower 8. Keep The Ball Rollin' 9.
The Nite Owl 10. One More Excuse (To Play The Blues) Link in comments. 'During the fifteen years since he recorded his famous version of 'Moonlight in vermont', Smith has made many albums, but it is probably no exxageration to say that on none of them has he had an accompanying unit so well attuned to his needs as this. His three companions are fellow spirits in terms of technical ability and devotion to music. Despite extraordinary instrumental facility, none is an exhibitionist, for their facility is at all times governed by good taste.'
Stanley Dance MUSICIANS: johnny smith: Guitar hank jones - Piano George duvivier - bass don lamond - drums Tracks and link in comments.
Reel to Real Recordings is proud to announce the label's co- inaugural release, Swingin' in Seattle: Live at the Penthouse (1966-1967), a scintillating set of previously unissued live recordings of the Cannonball Adderley Quintet featuring Cannonball's brother and cornetist Nat Adderley, pianist Joe Zawinul, bassist Victor Gaskin and drummer Roy McCurdy recorded over the course of 4 nights between 1966 and 1967 at the legendary Penthouse jazz club in Seattle, Washington. This is the very same band that recorded the classic Mercy, Mercy, Mercy! Live at 'The Club' album on Capitol Records on October 20, 1966, and it captures the quintet in rare form at the height of their most powerful swingin'. Back in the spring of 2016, producer (and co-president of the acclaimed archival jazz label, Resonance Records) Zev Feldman met up with Canadian jazz impresario and saxophonist Cory Weeds for a series of shows at Frankie's jazz club in Vancouver centered around a series of historical releases on Resonance. It was during this time that the seed was planted of them starting a new label dedicated to finding and preserving important historical jazz recordings. Zev Feldman explains, 'Cory was fascinated by the idea of unearthing previously unheard archival recordings by great jazz artists. There are so many great recordings out there that deserve to be heard and Cory wanted to offer up another home for them.